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From the common earthen pot that stores drinking water
to the giant-sized cultic equestrian figures of rural Tamil deities of the
Aiyyanar cult, terracotta art occupies a central position in Indian life
and culture. One may have to search far for a village or locality in India
where a potter is not found. Historically, terracotta pots have been used
for burial, storage of water or grains, and as cooking utensils. Terracotta
brick temples of Bengal, shrines of Aiyyanar of Andhra Pradesh and Tamil
Nadu or those of Ramdev and Dev Narayan of the Udaipur region of Rajasthan,
a large variety of equestrian and other votive figures, mainly of the tribal
populations, as well as a range of dolls and toys, bear testimony to the
varied and ancient traditions of terracotta that have flourished in India
over five millennia. |
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Having had their existence always outside the rigid and binding rules and
regulations of the shilpshastras or the constituted Hindu canons governing
artistic expression, terracotta art enjoys tremendous freedom in imagination
and conception. Sanskriti found it somewhat intriguing that in spite of
their widespread usage, antiquity, artistic merit and cultural significance,
terracotta objects have not been systematically collected.
To fill this lacuna, Sanskriti took the initiative in 1990 to set up a Museum
of Indian Terracotta. Since the ancient terracottas are preserved under
the aegis of archaeological and |
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historical museums, Sanskriti thought
it appropriate not to duplicate the effort. Thus the present Museum lays
a lot of emphasis on collecting the living and continuing traditions of
Indian terracotta. More than 1500 objects of terracotta are on display in
this Museum. A majority of terracottas belong to open and semi-open environments.
The collection of the Museum represents earthen pots of Manipur, Gujarat,
Rajasthan, Uttar Pradesh, ritual figures of Molela villages in Rajasthan,
the Aiyyanar cult of Tamil Nadu, tribal terracottas from Gujarat and Madhya
Pradesh and cultic figures of the cult of Raja Salhesh from Bihar among
others.
A special gallery has been installed to provide a historical perspective
to the long and ancient tradition of terracotta art. The history of Indian
terracotta has been narrated with the help of photographs of significant
terracotta finds.
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As a regular practice, Sanskriti has been inviting some of
the finest terracotta craftspeople from all over India. The residential
facilities and working space for terracotta craftspeople are located within
the Sanskriti Kendra and quite often one can get an opportunity to see them
at work. Modern studio potters of India find this repository of traditional
terracottas very inspiring and they have often conducted workshops at Sanskriti
in which modern and traditional potters have experienced a meaningful interaction.
Sanskriti Museum is located on the Mehrauli-Gurgaon road. It is a half-day
trip from Delhi. |
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